Commissioned to develop and design an 800 Sqft Museum for the St. Augustine Distiller Co. This project was a collaboration with carpenters, painters and a few of the creative minds behind the distillery to create an educational and historically accurate space for patrons.
Complete branding package, included logo designs, menus, merchandise, and flyers
Variety of screenprinted show posters throughout the years.
screenprint
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screenprint on burlap
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screenprint on canvas
Mural Design & Installation
Stone Climbing Co. 2021
Mural Design & Installation
Stone Climbing Co. 2021
Upland Sours, 2019
Upland Sours, 2019
Upland Sours, 2019
TSA_PDF Anthology, 2020
Publication Design & Layout
TSA_PDF Anthology, 2020
Apparel Design
PGA Tour 2021
Naked Barrel Hard Seltzer, 2019
Upland Brewing Co. Jeffersonville, 2020
Package Design
Upland Brewing Co.
St. Augustine Distillery, 2014
Ice Plant Bar & Restaurant, 2013
Clemson News Stories
Media Design and Animation
Mural Design & Installation
Stone Climbing Co. 2021
Mural Design & Installation
Stone Climbing Co. 2021
Media Design
Clemson University
Package & Brand Design
Naked Barrel Hard Seltzer
Museum & Environmental Design
St. Augustine Distillery Co.
Publication Design
Tiger Strikes Asteroid PDF_Anthology
Publication & Layout Design
Tiger Strikes Asteroid PDF_Anthology
Package Design
Upland Brewing Co.
Package Design
Upland Brewing Co.
Logo Designs
Upland Brewing Co.
PGA Tour 2022
record player, dye-sublimated digital print on felt, preserved alligator mississippiensis
17.25” x 13.75” x 8”
2021
fishing line and cotton weaving, snapping turtle shell, 1” speaker, G and C harmonicas, drift wood, bones
21” x 45”
2021
Digitally printed fabric, flagpole
43”x37
2021
Digitally printed fabric, flagpole
43”x37
2021
water collected from Monroe Reservoir, previously owned aquariums, camouflage netting, screen-printed broadcloth, O.S.B plywood, steel, wash cloth, lace, decoy ducks, clay pigeons, dinnerware, utensils, tractor seat, framed photographs, local flora and micro-fauna, fishing lures, bobbers, spools of thread, fishing line, rope, electrical chords and wiring, rod, meter stick, 2 channel video projections, projectors, media player, extension chords, amplifiers, MP3 players, 6-channel audio [ hymnal Troublesome Waters recorded by a digital choir (singing by William Staler, Christina Vines, William Charles Blanchard, Erin Tobey, Molly Fox, and Matthew Batty,) archival interviews of former residents of Elkinsville, Indiana, audio field recordings from Monroe Reservoir,] red healer.
27:17
2017
single-channel video projection on panel on ceiling
00:07:16
2017
detail of Water Doesn’t Give a Damn exhibition
39°10'03.6"N 86°32'00.2"W
2017
This project was curated by ArtHere. I was interested in drawing attention to the often overlooked local ecology as a food source. The warped perspectives of importing fish from the Pacific and Atlantic as well as the Gulf of Mexico to the Midwest, is a troublesome practice of the anthropocene that may need rethinking. The fish in the local ecology of southern Indiana, like crawfish, catfish, blue gills, and bass are missing from local restaurants and markets. There are portions of the local population that continue to sustain themselves through fishing, and I want to raise the question to new populations that overlook this local food source.
dye sublimated print on cotton, single-channel video projection.
56x50 (w/ projection)
00:17:45
2019
from Just Another Creature In Their Tracks exhibition
single-chanel video
6:15
words from Reset North America to Default Settings by Rosechard Wehrenberg
2017
Imagine, for an instance, we could hit pause or even just catch our breath when the world seems to want anything but that. An offering of respite to reimagine the world, build an empathetic future, & participate in compassionate ecologies. A time and space between material and the immaterial. Beyond the past, present, and future ….And That Is Where A Bobcat is Right Now
This portable document format exhibition explores momentary renders of ephemeral and temporal mediums. Unlike in everyday life they let us imagine non-linear time and it’s delicateness. These works were chosen to be printed, projected, and performed.pdf_exhibition for home printing & installations
Featuring the work of : melannie monoceros, Dakota Gearhart, Christopher Mahonski, Virginia Lee Montgomery, Brandon Sward Aaron McIntosh, Joiri Minaya, Yunjin La-mei Woo
digitally printed fabric, flagpole, ocean breeze,
43” x 37”
2021
digitally printed fabric, flagpole, ocean breeze,
43” x 37”
2021
preserved alligator head, record player, dye-sublimated felt, poem
2021
fishing line and cotton weaving, snapping turtle shell, 1” speaker, G and C harmonicas, drift wood, bones
21” x 45”
2021
In the movement and passing of threads, complex structures can be formed– structures that draw forth ritual, the observable now, and evoke the future. Practices of mindfulness braid together materials of earth and matter, narrative and exchange, nuance and pigment. These practices and materials become embodiments GENEROUSLY ENTANGLED in image and object. This exhibition explores the intertwining practices of aesthetic hybridity, material culture, and reciprocity through the paintings of Codi Maddox, the assemblages of Emmanuel Manu Opoku, and the ceramic collaboration of Michelle Laxalt & Jiha Moon.
Documentation of driving performance during the pandemic’s initial stay at home orders
tailgate window, window paint, lyrics from Honk If You’re Lonely by David Berman.
2020 / ongoing (occasionally installed and performed)
shovel, pine resin (pitch), archival digital prints
12”x19”x48”
2019
shovel, pine resin (pitch), archival digital prints
12”x19”x48”
2019
dye sublimated print on cotton, single-channel video projection.
56x50 (w/ projection)
00:17:45
2019
mortuary, single-channel video projection, lap-steel guitar, mammoth ivory, caribou antlers (borrowed), florida oranges, vinyl lettering, guitar amp, cassette player, Dm 1.3.5 progression, blue coveralls, wool blankets, extension cords
duration:
1:04:00
2018
3-channel video, corrugated siding
36” x 20”
dur: 00:27:13 loop
2019
Tiger Strikes Asteroid Greenville is pleased to present YARDWORK.TSA GVL members in Greenville (SC), Charleston (SC), and Asheville (NC) are sharing work from local and non-local artists with their respective communities through public art installations that are visible from a distance. This three-city initiative serves to share art while practicing responsible citizenship, specifically social distancing. Works are installed on porches, lawns, balconies, mailboxes, and exterior walls. With the aid of a map, people may walk, bike, or drive to view each installation.
water collected from Monroe Reservoir, previously owned aquariums, camouflage netting, screen-printed broadcloth, O.S.B plywood, steel, wash cloth, lace, decoy ducks, clay pigeons, dinnerware, utensils, tractor seat, framed photographs, local flora and micro-fauna, fishing lures, bobbers, spools of thread, fishing line, rope, electrical chords and wiring, rod, meter stick, 2 channel video projections, projectors, media player, extension chords, amplifiers, MP3 players, 6-channel audio [ hymnal Troublesome Waters recorded by a digital choir (singing by William Staler, Christina Vines, William Charles Blanchard, Erin Tobey, Molly Fox, and Matthew Batty,) archival interviews of former residents of Elkinsville, Indiana, audio field recordings from Monroe Reservoir,] red healer.
27:17
2017
single-channel video projection on panel on ceiling
00:07:16
2017
39°10'03.6"N 86°32'00.2"W
2017
This project was curated by ArtHere. I was interested in drawing attention to the often overlooked local ecology as a food source. The warped perspectives of importing fish from the Pacific and Atlantic as well as the Gulf of Mexico to the Midwest, is a troublesome practice of the anthropocene that may need rethinking. The fish in the local ecology of southern Indiana, like crawfish, catfish, blue gills, and bass are missing from local restaurants and markets. There are portions of the local population that continue to sustain themselves through fishing, and I want to raise the question to new populations that overlook this local food source.
blank_plots 2.0 a quarterly series in strange loops featuring the poems, videos, and performances of Rachel de Cuba, mel monoceros, Sarah Lasley, Joshua Byron, Fabiola Millan, Kevin Mahoney, Rose Harding, and Mary Luncsford.
single-channel video
6:15
words from Reset North America to Default Settings by Rosechard Wehrenberg
2017